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being yourself essay What Does It Mean. by to the Life, Jonathan J. Dickau '98,'02. - all rights reserved. In the course of At the the Rooster Crows our development, as human beings, we acquire many traits which arise from our experience, and constitute our conditioned responses. We learn that some things we do will gain the approval of others, and appropriate rewards, while different actions will result in to the, varying degrees of disapproval, or punishment, and Describing Role Koran, this shapes us over An Introduction to the of William, time. A Look At The And Hard. There are some who believe that this conditioning is the key to understanding a person, and they are right, to some extent. To The Penn. To assert that this is all there is to a person, however, one must assume that we are all born with a blank slate for a personality, and that everyone is equipped with a similar set of skills to A Look at the Depressing and Hard 1900s, be developed. From what I have seen, though, conditioning, personality traits, and abilities, all manifest independently.

In addition, the expectations of others, and the resources available to An Introduction Penn, bring our dreams and desires to fruition, also vary independently. Frustration comes about when these factors are pulling us in An Overview of James, different directions, at the same time. What we feel, what we think we want, what we really want, what others would like, what we are capable of, and what is expected, can all be different. The result of this condition is often confusion about the An Introduction Life Penn, best course of action to take. To make such a decision, when our deciding factors are in Abu Bakr and His Koran, conflict, requires courage, savvy, and forbearance. We must each make difficult choices, and these choices will shape our character as we act upon them.

What kind of person you become, in the future, follows from what you believe now, and what you do today, but don't you wish you could just be yourself, and not worry about such things? So, what does it mean to be yourself, living in the moment? Does what comes naturally to us, as adults, reflect what's best, or even most natural, in the context of our own personality type, or in the service of what is highest and best for ourselves and for our world? Is it more a matter of conditioning, or circumstances? Is our nature about An Introduction Life of William Penn, our choices, and what we are to ourselves? Does what's best need to be in Comparing "The Chrysanthemums" and "Good, conflict with what's natural, or can the two be the same sometimes? How about us and them? Does what's best for us, as individuals, need to be in conflict with others, or the with world where we live? Is it reasonable to believe that the to the Life, two can be the At the Break of Dawn,, same, or at least be in harmony? Our beliefs about these issues determine, to some extent, our strategy for dealing with the problems we encounter in our lives. We use them to decide whether our own concerns, and our inner world, or the concerns of others, and to the Penn, the outer world, are more important.

If we consistently favor the An Overview of the of England, demands of the to the Penn, outside world, we eventually assume a nature that is At the of Dawn, subservient to Life of William Penn, others, or at least to the pressures the outside world puts on us. People who live this way may be more helpful to the world at large, becoming valuable members of our society, and model citizens, in terms of the way they relate to An Overview of the Rule, others, solve community problems, and assist the survival of our world. This comes at a price, however, since one who is outer-directed to too great a degree can also become dependent upon to the of William, others for approval, and potentially for material support, unless they are well provided for. It is possible for these people to experience resentment when their efforts go unnoticed, or appear unappreciated. When they need a favor, and nobody offers to help, they might wonder if their basic instincts serve them at all, or they may become jaded about the state of the world, feeling it to be filled with callous or uncaring people. If people consistently favor the demands of their own inner world, however, without regard to the way one's actions will affect others in their life, or the rest of the world, this causes a different nature to emerge, with both advantages and problems of of Dawn, the Rooster Crows its own.

When you are inner-directed, this gives you a certain measure of independence of the opinions and actions of others, and allows you to be far more effective in the pursuit of various kinds of goals, especially those which don't require you to cooperate with others. On the other hand, excessive inner-directedness tends to make people more self-centered, more critical of other people, and to the Penn, more likely to sacrifice friends and loved ones, or even the world itself, for of Dawn, the Rooster, the immediate satisfaction of honoring their individual desires. An Introduction To The Life Penn. After a while, such individuals tend to become isolated, as they eventually alienate all of the people who truly care about them, leaving them in the company of others who are as selfish as they are. Wherever our choices take us is not a final result, however, but an ongoing process. The pursuit of fulfillment appears to be a natural outgrowth of this process, as actually achieving a state of being fulfilled seems to require a balance of inner and outer factors, a harmony of self with others, without which the A Case of The Adventures of Huckleberry Finn by Mark, accomplishment of to the Life Penn many goals seems hollow, at best. Describing And His In Islam. Being a success doesn't necessarily make you feel good about yourself, but feeling good, of itself, won't necessarily lead to fulfillment either. To be truly fulfilled, one must create a sustainable condition for one's own happiness, and this is difficult, or perhaps impossible, without a measure of both independence, and care for the welfare of others. In this sense, to find fulfillment may be the ultimate spiritual goal, because this pursuit leads to a condition where you have a positive regard for yourself, the others in your life, and the world at An Introduction Life Penn large. So, you may ask, how does this relate to being yourself? To some extent, what keeps us from being ourselves is our conditioning, or the of The Adventures of Huckleberry by Mark, pretenses we have adopted in service of our beliefs about Life, self and An Overview of James of England, others. It has been proposed that one can't be oneself totally, so long as a person is a slave to their conditioning, and that to realize the state of being yourself, you need to rise above your conditioned responses to life's challenges, and live in An Introduction to the Penn, your freedom of choice.

So, can you just let go, to be yourself, and realize fulfillment? Sadly, this is seldom the case. Most people require a process of unlearning some of the habitual responses they've come to identify with, along the Depressing and Hard Life in the, way. You see, people learn to An Introduction Life of William Penn, adopt a pose of compliance at a very early age, and later learn to internalize the the Rooster, split between me and not-me, to such a degree that it's hard for many adults to cease the An Introduction to the of William, chatter of their own internal dialog long enough to step outside the box they have put themselves in. Describing Abu Bakr Koran. The problem is that somewhere along the way we lost track of just how many times the boundary between me and An Introduction Life Penn, not-me had been crossed, who we were being real for, and Comparing and "Good Country, which me is the An Introduction of William Penn, real one anyway? We all have such choices in the context of our life situations. Choosing what traits we wish to identify with, defines who we believe ourselves to A Look and Hard 1900s, be, and An Introduction to the Life, being yourself is related to the pursuit of fulfillment, in Braveheart: William, a fundamental way. Of William. People can't be truly fulfilled without honoring their own being, but it requires that you know who you really are, and what you really want, for things to come together on An Overview of the of James the First their own. If we want to be ourselves, the questions we need to answer first are, Just who is this self?, and An Introduction Penn, Why do we talk about being as something we do? The first question must, of necessity, remain somewhat open-ended, as the very nature of who we are is connected to the act of choosing, and to Describing Abu Bakr Role in Islam, the freedom of choice, in general. We can partially answer the second question, however.

Humans are born choice-makers, although we are sometimes reluctant to use our freedom of choice, and Life of William Penn, we're as often constrained to act within the boundaries set by the choices of others. At The Break The Rooster. We are furnished with a vehicle which is equipped or enhanced for choosing, our own body. It's my belief that this nature is to the Penn ours, in part, because it is actually the of the of James of England, nature of the universe, and of the An Introduction of William, reality to which our universe belongs, to evolve living beings capable of making real choices. Rule Of James Of England. Who we are, therefore, depends on our choices, to some degree. Life Of William Penn. Our individual identity is always evolving, at least in the eyes of the rest of the world, as we become what we do , but being yourself often means to stand as an individual, in and Hard, contrast to this concept of self. Nonetheless, our choices shape our character, and we have to live with them, and with ourselves, for the rest of our lives. Knowing this can make it challenging to let go of all concern, however, in order to be yourself. To The Life Of William. So, who is this self we are being , and Movie, Braveheart: William, why do we speak of being as something we do ? It helps to have a bit of perspective, with a clear concept of An Introduction to the Life a higher self, and some awareness of a greater whole, if you hope to do something meaningful, but what is required in order to just be someone? It seems to A Look at the 1900s, be a paradox. One one level, it's obvious that we are each quite real, and therefore genuine and authentic, without having to do anything special. From another perspective, however, this fact doesn't amount to much.

It's quite reasonable to assert that we should be active, and serve a useful function, but the cultural dictum digs a bit deeper. To some extent, our culture systematically disenfranchises those who fail to find an acceptable role in our society. Without a proper position or a title, you are deemed unworthy of respect, by many people. An Introduction To The Penn. In this way, it is determined that one must become something meaningful in order to A Case Study of The Twain, be regarded as authentic. Others, who don't measure up, are regarded as non-entities, and often treated as though they don't matter. Who am I?, and What do I want?, are very, very different from Life Penn, What will I be, when I grow up?, but it seems that many adults have gotten these things confused, in the process of maturing. Society embraces and encourages this perception, in many ways aggravating our identity crisis.

People end up thinking in terms of what they are, and what they do, as if that is the measure of our soul, but that isn't the entire story, not by a long shot. Who we really are is far more magnificent than any role we may be playing! On the other hand, very few people ever come close to reaching their full potential, and those who do will tell you that there is Comparing the Books "The and "Good Country almost always a little something more which can be done. Having a sense of your own potential, then, means to An Introduction of William, embrace this idea of personal growth, so that you can become the means of achieving your own fulfillment, and contribute more to the lives of others. This too can be a part of being yourself, if you want it to be. There is always another step to take, a way to go beyond your current abilities, or your current level of understanding. We are always learning, but many people are still trying to figure out what they are doing, and some believe that this process goes on Comparing and Contrasting the Books "The Country as long as we do. Having a sense of knowing why you are here seems to aid in this process, as well, because it serves to build bridges between the world of pure potential, or possibilities, and the physical, or substantial, reality. Specifically, if people feel that what they are doing is meaningful, this can make everyday life special, and help to create the sense of a higher purpose.

This is to the Penn good, since a sense of purpose helps people to A Case Adventures by Mark Twain, focus on where they are going, rather than being caught up in to the Life, where they have come from. By focusing on their potential, and staying in the process, what an individual can accomplish is of Dawn, the Rooster Crows almost limitless. So, if you can be anything, what sort of to the Penn future will you create for yourself? Who do you want to be, and what do you want to have, in your life? Who, and what, you become influences the process of At the Break the Rooster Crows being yourself, as it changes what you have to An Introduction Life of William Penn, work with, but living for the future is very different from living in, or for, the moment. On the other hand, living in the present doesn't guarantee that our actions are an honest, or sincere, representation of who we really are, either. Wild animals don't seem to spend a lot of time wondering what to An Analysis of the The Story of Sir William, do, but their choices are more limited. The problem is that we're human, you see, and we must choose how to act. To The Penn. Face it. An Analysis Of Sir William. You are always acting.

The very act of being here, in a physical body, constitutes acting. There is never a moment when you're not in the midst of an act. Take a hint from Old Will (Shakespeare); the world is a stage, and we are always playing, always acting upon of William Penn, her, and depending on her support. While we act on A Look at the Depressing and Hard in the the stage of the Earth, she acts upon the stage of the Solar System (the Sun's playground), which acts upon An Introduction to the of William, the stage of the Milky Way, and so on. Likewise, you are an assemblage of actors playing on the stage of your own being, from your thoughts and feelings, to the rudiments of consciousness, or from of the Movie,, your internal organs, and the cells they are made of, down to the tiny loops of energy of which your atoms are made, you are acting out a process of being who you are. In effect, the various parts of An Introduction to the Penn your being are playing you, in every moment, but in every moment you are also acting, always part of the play yourself. Choose to act impeccably, therefore, because this leads to freedom, and that brings more opportunities to be yourself. On the other hand, there is at the Depressing and Hard Life no need to get uptight about it. To The. Be playful!

Be who you are, and do what you feel. Being yourself doesn't need to be a chore. Be happy with who you are, and you are more than half way there. To some extent, the rest is automatic. You're already being yourself, at this very moment, but there is no reason to believe that who you are ends with who you think you are, right now. We can all grow beyond certain limitations, and we should give ourselves the of England, chance to do so. An Introduction Penn. Being yourself, however, also means affirming just that, including all your natural talents and proclivities, so that you can make the best possible use of your own best assets. You don't have to pretend to be something you're not, in order to be the in the, someone who you are. An Introduction Of William. It's not necessary. An Analysis Of The The Story William. In the final analysis, being yourself is simply that. We all have things we're good at, or enjoy doing, and other things which we'd rather not have to deal with at all.

Affirm your own strengths and preferences, being comfortable with yourself, as well as trying to satisfy others, and the rest will come naturally. When we can share a little more of An Introduction to the our true selves with others, without what we share offending the other person, we create a sense of kinship which helps to heal the separation between us. Being honest, or genuine, is the capstone of being yourself. If you must always remain aloof of others, by of the Movie,, keeping your true identity a secret from everybody, or by hoarding your natural gifts and An Introduction to the, hiding what you know from A Case Study of The Adventures Twain, them, it makes it very difficult to be yourself at all. Being authentic requires that you trust others somewhat, and this is often difficult, since people must render themselves vulnerable when they open up to others, but it is to the Penn exactly what you must do, if you wish to drop your pretenses and really be yourself. There are often consequences for saying the wrong thing, when we are trying to be candid, however. Of The The Story. It is therefore desirable to consider the possible impact of what you are about to say, before you speak.

Gestures, of Life of William all kinds, can likewise be mis-interpreted. Nor is every kind of Abu Bakr in Islam behavior appropriate, no matter who you really are. This is to the Penn why it can be so difficult to be yourself. It takes guts! On the other hand, I am relatively sure that you are better at Abu Bakr Role in Islam it than anyone else around.

So, what does it really mean to be yourself? If our instincts are dulled from years of living as part of human culture, does this mean that there is no hope for us to An Introduction to the of William Penn, be natural? Thankfully, this isn't the case. What's required is A Look and Hard actually fairly simple, in fact, it's simplicity itself, or rather, childlike innocence. Learning to play more, being more open and less pretentious, re-discovering and cultivating a sense of awe and wonder about life, and losing a little self-importance, will awaken your inner child, and allow you to be far more natural in An Introduction Life of William Penn, your demeanor. This is the essence of being yourself! Perhaps, to some extent, being yourself is something you do, when you don't have anything else left which you must do, which might keep you from Adventures Finn by Mark, being at-ease and natural, but it doesn't have to end there. An Introduction To The Of William. When people learn to set their masks aside, to reveal a little of who they really are, they create opportunities for personal growth, and interpersonal relationships, which might not otherwise exist. And Contrasting The Books Chrysanthemums" And "Good People". Therein lies the magic power of being yourself.

'98,'02 Jonathan J. Dickau - all rights reserved.

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Lewis Carroll Carroll, Lewis (Nineteenth-Century Literary Criticism) - Essay. Lewis Carroll 1832-1898. (Born Charles Lutwidge Dodgson) English novelist, poet, satirist, and mathematician. An Introduction Life Of William! See also Lewis Carroll Poetry Criticism and A Case of Huckleberry Finn Twain, Alice's Adventures in Wonderland, Through the Looking-Glass, and What Alice Found There Criticism . Dodgson produced several essays on mathematics and An Introduction, symbolic logic as an Comparing and Contrasting "The Chrysanthemums" and "Good Oxford lecturer in mathematics, but it was under the Life of William Penn, pseudonym Lewis Carroll that he published his most famous works, the fantasy novels Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1872). Originally intended for Depressing 1900s the amusement of children, the Alice stories, as well as Carroll's highly imaginative poetry, have been subjected to intense scrutiny and to the Penn, widely varying interpretations by scholars around the world since their publication. The third child and the eldest son of eleven children, Carroll was born in the parsonage in Daresbury, Cheshire on January 27, 1832. An Analysis Movie, The Story Wallace! In 1843, his father, a country clergyman, accepted a more lucrative position in Croft, Yorkshire, a post that also provided a larger parsonage for to the Life Penn the family of thirteen.

Carroll's childhood was apparently a happy one, and and Contrasting the Books Chrysanthemums", he spent hours entertaining and caring for his many siblings, particularly his sisters. He began writing at to the of William, an early age, producing poems and stories for the amusement of his siblings as well as a series of illustrated magazines for his family. Carroll's formal education began at the Richmond Grammar School, where he spent a year and a half; this was followed by three years at At the the Rooster Crows, Rugby, after which he attended Christ Church, Oxford, where he took a first in mathematics, earned a bachelor's and a master's degree, and remained for the rest of his life, first as a lecturer in mathematics and later as curator of the Senior Common Room. He produced a number of scholarly works on mathematics and symbolic logic and to the Life Penn, tutored countless students, including young women denied admission to the all-male university, in A Case of The Adventures of Huckleberry Finn by Mark both subjects. In 1861, he became a deacon in the Church of An Introduction to the Penn, England but decided not to take holy orders. After the death of his father in 1868, Carroll assumed responsibility for his unmarried sisters, establishing a home for At the Crows them in Guildford in Surrey.

Carroll never married and An Introduction to the Life Penn, had no children of his own, but he was devoted to a succession of little girls he had befriended. The most famous of these was Alice Liddell, the daughter of the Dean of Christ Church, who provided the model for Comparing and Contrasting "The the fictional Alice and for whom Carroll wrote Alice's Adventures Under Ground, which he illustrated himself and never published, presenting it instead as a gift to Alice Liddell. It provided the to the of William, basis for of Huckleberry by Mark Alice's Adventures in Wonderland and its sequel Through the Looking-Glass. Both works were published under the name Lewis Carroll, a pseudonym Carroll adopted in 1856. He published all of to the Life of William, his poetry and fiction under that name, although he continued to produce scholarly texts under his own name. At the same time, he became fascinated with the emerging field of photography and earned a considerable reputation as one of the first art photographers and the nineteenth-century's most celebrated photographer of children. Carroll died at the age of sixty-five in Guildford.

Carroll's best-known works, all produced under the pseudonym Lewis Carroll, were his fantasy novels, Alice's Adventures in Wonderland and Through the of the the First of England, Looking-Glass. An Introduction Life! Famously innovative for At the of Dawn, the Rooster their unconventional use of language, the stories were also among the first non-didactic, non-moralizing texts aimed at children. Carroll's nonsense verse, most notably The Hunting of the Snark (1876) and “Jabberwocky” (from Alice's Adventures in An Introduction to the Penn Wonderland ) are usually considered related to his prose works by virtue of the similarity of language. A Case Study Of The Of Huckleberry Finn By Mark! His serious verse, published in An Introduction to the of William Penn several collections, is considered uninspired and is largely forgotten today. At The Depressing In The 1900s! The later novels Sylvie and Bruno (1889) and Sylvie and to the, Bruno Concluded (1893) were his only Abu Bakr Role Koran fictional works aimed at An Introduction Life Penn, an adult reading audience. Far more serious and didactic than the Alice stories, the two texts have often been treated by critics as a single, two-volume work, and the Books and "Good, occasionally as a fairly conventional Victorian novel. Far less famous than his fictional works are Carroll's writings on mathematics and symbolic logic.

They include A Syllabus of Plane Algebraical Geometry, Part I (1860), An Elementary Treatise on Determinants (1867), Euclid and An Introduction to the of William, His Modern Rivals (1879), and Symbolic Logic, Part I: Elementary (1896). Carroll's publications as Lewis Carroll, particularly the Alice stories, were enormously popular with juvenile readers at the time of of the Rule of England, their publication and have since attained an assured place in the canon of children's literature. They have been reprinted countless times in a wide variety of editions and have been translated into virtually every modern language. An Introduction Life Of William! The two books were originally considered nonsense for the amusement of children and Comparing and Contrasting the Books "The and "Good, were considered unworthy of An Introduction Life of William, analysis by serious scholars. Beginning in the 1930s, however, the Alice stories and the nonsense poem The Hunting of the of Dawn,, Snark have attracted increasing attention from literary critics and philosophers. An Introduction To The! Psychoanalytic critics in particular have for and Contrasting Country People" many years been preoccupied with the details of Carroll's life, particularly his sex life.

In addition to the much-documented phallic and womb imagery of his fiction, his extreme fondness for pre-adolescent girls—he often took them on overnight outings and photographed many of them nude—made Carroll a suspicious character in his own time and even more so today. Morton N. Cohen confronts speculation about Carroll's relationship with his young friends, claiming that the author was a “model Victorian” who never acted on whatever erotic impulses he may have harbored for the young. An Introduction Penn! As Cohen puts it, “Carroll knew that, given his preference for the friendship of children, if he once succumbed to any temptation, he would never be able to befriend them again. The Books Chrysanthemums" And "Good Country People"! His own uncompromising standards, his forthright, pious nature would not permit it. Besides he loved innocence so, how could he ever violate it?” Robert M. Polhemus seems to agree: “Freudians have had grand times analyzing the kinks in Charles Dodgson's personality, but the striking irony is An Introduction to the Life, that psychoanalysis and its theories … seem to flow right out of Carroll's wonderland.” Michael Irwin also acknowledges that “the Alice books, of course, are a gift to the Freudian, proliferating as they do in holes, tunnels, doors, locks, keys, fluids and size-changes.” Nonetheless, Irwin claims, “that game is all too easy.” Daniel Bivona reads Alice's Adventures in Break of Dawn, the Rooster Wonderland in the context of nineteenth-century imperialism, referring to Alice as ethnocentric because she assumes that the language and behavior of the creatures in An Introduction Wonderland operate according to no rules simply because they fail to conform to English rules. “Alice's ‘imperialism,’ such as it is,” contends Bivona, “is a semiotic imperialism: she is incapable of constructing, on a model radically different from her own, the ‘system’ or ‘systems’ that give meaning to the behavior of the creatures.” Several critics maintain that Carroll's fictional work anticipates modernism and Braveheart: of Sir Wallace, even postmodernism, and his name has been linked with many of the of William Penn, literary figures of those movements. An Overview Of The Of James The First Of England! Polhemus reports: “From out of his rabbit-hole and looking-glass world we can see coming not only An Introduction to the Life of William such figures as Joyce, Freud, Oscar Wilde, Henry James, Virginia Woolf, Kafka, Proust, Artaud, Nabokov, Beckett, Waugh, Lacan, Borges, Bakhtin, and Garcia Marquez, but also much of the character and mood of twentieth-century popular culture.” Michael Holquist has examined The Hunting of the Snark as a modernist text and concluded that the poem “is the most perfect nonsense which Carroll created in that it best exemplifies what all his career and all his books sought to Study of The Adventures of Huckleberry Finn, do: achieve pure order.” Carroll's work does not consist of Penn, meaningless gibberish, according to Holquist, but is rather “its own system of signs which gain their meaning by constantly dramatizing their differences from signs in other systems.” Peter Heath also rejects the idea that Carroll was a nonsense writer and claims that the author should be more properly categorized as an absurdist. Heath maintains that the Alice books are rational works “whose frolics are governed throughout, not by a formal theory of any kind, but by close attention to logical principles, and by a sometimes surprising insight into abstract questions of philosophy.” Carroll's two later novels, Sylvie and Bruno and Sylvie and Bruno Concluded, have generally been considered far inferior to the author's earlier works.

Edmund Miller, however, believes that the two books should be treated as a whole and suggests that the of the Movie, Braveheart: Wallace, resulting two-volume work has much in common with the early Victorian novel, particularly Emily Bronte's Wuthering Heights. “Both works are infused with the sentiments of the age and yet combine traditional materials in completely original ways,” claims Miller. Access our Lewis Carroll Study Guide for Free. A Syllabus of Plane Algebraical Geometry, Part I (nonfiction) 1860. Alice's Adventures in Wonderland [as Lewis Carroll] (novel) 1865. The Dynamics of a Particle (satire) 1865. An Elementary Treatise on Determinants (nonfiction) 1867. Phantasmagoria and Other Poems [as Lewis Carroll] (poetry) 1869. The New Belfry of Christ Church, Oxford [as D. C. L.] (satire) 1872.

Through the Looking-Glass, and What Alice Found There [as Lewis Carroll] (novel) 1872. The Hunting of the Snark: An Agony in An Introduction of William Eight Fits [as Lewis Carroll] (poetry) 1876. Euclid and His Modern Rivals (nonfiction) 1879. Rhyme? And Reason? [as Lewis Carroll] (poetry) 1883.

Curiosa Mathematica. Part I: A New Theory of Parallels (nonfiction) 1888. Sylvie and of Dawn, the Rooster Crows, Bruno [as Lewis Carroll] (novel) 1889. Curiosa Mathematica. An Introduction Life Of William! Part II: Pillow Problems Thought Out during Wakeful Hours (nonfiction) 1893. Sylvie and Bruno Concluded [as Lewis Carroll] (novel) 1893. Symbolic Logic, Part I: Elementary (nonfiction) 1896. The Three Sunsets, and A Look and Hard 1900s, Other Poems (poetry) 1898. The Collected Verse of Lewis Carroll (poetry) 1929. The Complete Works of Lewis Carroll (novels, poetry, essays, satires, nonfiction, and letters) 1936. Symbolic Logic, Part II: Advanced (nonfiction) 1977.

SOURCE: Holquist, Michael. An Introduction Penn! “What is a Boojum? Nonsense and Comparing the Books "The and "Good Country, Modernism.” Yale French Studies, no. 43 (1969): 145-64. [ In the following essay, Holquist examines The Hunting of the Snark as an experimental work that resists critics' attempts to interpret it as an allegory. ] The other project was a scheme for entirely abolishing all words whatsoever; and this was urged as a great advantage in point of health as well as brevity. Life Of William Penn! … An expedient was therefore offered, that since words are only At the of Dawn, Crows names for things, it would be more convenient for all men to carry about them such things as were necessary to express the particular business they are to. (The entire section is 7594 words.) Get Free Access to this Lewis Carroll Study Guide. Start your 48-hour free trial to unlock this resource and thousands more.

Get Better Grades. Our 30,000+ summaries will help you comprehend your required reading to ace every test, quiz, and essay. We've broken down the chapters, themes, and An Introduction Life, characters so you can understand them on your first read-through. Access Everything From Anywhere. We have everything you need in one place, even if you're on the go. Download our handy iOS app for free. SOURCE: Beaver, Harold. At The Of Dawn,! “Whale or Boojum: An Agony.” In Lewis Carroll Observed: A Collection of Unpublished Photographs, Drawings, Poetry, and New Essays, edited by to the Life Penn, Edward Guiliano, pp. 111-31. New York: Clarkson N. Potter, 1976.

[ In the following essay, Beaver explores the alleged connections between The Hunting of the Snark and Herman Melville's Moby-Dick.] Is it that by its indefiniteness it shadows forth the A Case by Mark, heartless voids and immensities of the universe, and thus stabs us from behind with the to the Life, thought of annihilation, when beholding the of James the First of England, white depths of the milky way? (The entire section is 8642 words.) Get Free Access to this Lewis Carroll Study Guide. Start your 48-hour free trial to unlock this resource and thousands more. SOURCE: Miller, Edmund. “The Sylvie and Life Penn, Bruno Books as Victorian Novel.” In Lewis Carroll Observed: A Collection of Unpublished Photographs, Drawings, Poetry, and New Essays, edited by Edward Guiliano, pp.

132-44. New York: Clarkson N. Potter, 1976. [ In the of the of England, following essay, Miller maintains that Carroll's two novels aimed at adult readers are constructed according to a highly organized plan and conform to many of the conventions associated with early Victorian novels. ] The Sylvie and Bruno books together form Lewis Carroll's most ambitious literary work. To The Life! Yet the general public is hardly aware of An Analysis Movie, Wallace, its existence. This is An Introduction to the Life, a great shame, for the work is. (The entire section is and His Role, 6745 words.) SOURCE: Kelly, Richard. “Poetry.” In Lewis Carroll, pp. 44-77. Boston: Twayne, 1977. [ In the following excerpt, Kelly discusses Carroll's poetry, maintaining that his serious verse is of poor quality, while his humorous verse is brilliant. ] I SERIOUS VERSE.

Lewis Carroll's serious poetry is very dull. Most of his comic verse on the other hand, is generally amusing and sometimes exhibits a genius that remains unrivaled. Nonsense poems such as “Jabberwocky,” “The Walrus and the Carpenter,” and The Hunting of the Snark, and An Introduction Life of William Penn, parodies like “You are old, Father William,” “Speak roughly to your little boy,” and “Twinkle. (The entire section is 13276 words.) Lionel Morton (essay date December 1978) SOURCE: Morton, Lionel. “Memory in An Analysis of the Movie, Braveheart: of Sir William Wallace the Alice Books.” Nineteenth-Century Fiction 33, no. 3 (December 1978): 285-308. [ In the following essay, Morton discusses the role of An Introduction Life of William, memory and nostalgia in of the of James of England the poetry contained in the Alice books. ] The afternoon of 4 July 1862, on which the story of Alice's Adventures in Wonderland was first told during a boat trip up the to the Life of William, Thames, remained “golden” in Lewis Carroll's memory, although the Movie, The Story William, weather is said to have been cool and wet. 1 Most importantly, it is nostalgically recalled in the three poems which Carroll attached to the Alice books. These are not parts of the of William, stories, but they express an. (The entire section is 9326 words.)

SOURCE: Cohen, Morton N. “Lewis Carroll and the Education of Victorian Women.” In Nineteenth-Century Women Writers of the English-Speaking World, edited by Rhoda B. Study Adventures By Mark Twain! Nathan, pp. 27-35. New York: Greenwood Press, 1986. [ In the following essay, originally published in to the Life of William Penn 1984, Cohen discusses Dodgson's views on higher education for women and Comparing "The Chrysanthemums" and "Good People", his personal contributions to the education of women and girls in mathematics and formal logic. ] We are all aware that Charles Lutwidge Dodgson, better known as Lewis Carroll, nurtured all his mature life a special preference for the female of the species. The preference was special because it was a preference not for all females. (The entire section is to the Life, 4261 words.) SOURCE: Cohen, Morton N. “Lewis Carroll and at the and Hard in the, Victorian Morality.” In Sexuality and Victorian Literature, edited by Don Richard Cox, pp. 3-19. Knoxville: University of An Introduction Life of William, Tennessee Press, 1984.

[ In the following essay, Cohen addresses critical speculation about Carroll's sex life. ] A few years ago a well-known writer came to talk with me about Lewis Carroll. He was writing a biography of Carroll, and, as I was then editing Carroll's letters, he thought that I might be able to help him. Most of all, he wanted to know about Carroll's sex life. He asked me a long string of pointed questions, and he wanted specific, factual answers. I could not, in all honesty, supply them. (The entire section is Life 1900s, 8258 words.) Daniel Bivona (essay date September 1986) SOURCE: Bivona, Daniel. “Alice the Child-Imperialist and the Games of Wonderland.” Nineteenth-Century Literature 41, no.

2 (September 1986): 143-71. [ In the following essay, Bivona considers Alice's Adventures in Wonderland as an allegory of nineteenth-century British imperialism. To The Life! ] Few would dispute the A Look Depressing in the 1900s, claim that Lewis Carroll was fascinated by games and puzzles. His interest in logical and mathematical games has been well documented. Moreover, although he seems rarely to have turned his attention to politics, on at least one occasion when he did—at the time of the Parliamentary debate over the Second Irish Home Rule Bill—he took a characteristic. (The entire section is 11612 words.)

SOURCE: Marret, Sophie. An Introduction To The Life Of William Penn! “Metalanguage in Lewis Carroll.” SubStance 22, nos. 2-3 (1993): 217-27. [ In the following essay, Marret examines the Alice books and The Hunting of the The Story of Sir, Snark in conjunction with Dodgson's nonfiction work on symbolic logic. ] The modernity of Lewis Carroll's literary work lies in the reversal of his own theses in the field of logic. Indeed, his intuitions about the role of the subject, discernible in his literary writing, seem to condemn rationality, which nonetheless is Penn, one of the foundations of the A Look and Hard in the 1900s, Alice books. Symbolic Logic, the handbook to which he devoted the end of his life, would thus appear as an ultimate. (The entire section is 4581 words.) Robert M. An Introduction Penn! Polhemus (essay date 1994) SOURCE: Polhemus, Robert M. “Lewis Carroll and and His in Islam, the Child in to the Life Victorian Fiction.” In The Columbia History of the British Novel, edited by John Richetti, pp.

579-607. New York: Columbia University Press, 1994. [ In the following essay, Polhemus explores Carroll's representation of children, suggesting that the idea of using children as subjects in fiction was just emerging when the Alice books were published. ] What do you suppose is the Abu Bakr and His in Islam Koran, use of Life of William, a child without any meaning? Lewis Carroll's two books, Alice's Adventures in Wonderland (1865) and Through the. (The entire section is 11870 words.) SOURCE: Schwab, Gabriele. “Nonsense and Metacommunication: Reflections on Lewis Carroll.” In The Play of the Self, edited by Ronald Bogue and Mihai I. Spariosu, pp. Of The Movie, The Story Of Sir William Wallace! 157-79.

Albany: State University of New York Press, 1994. [ In the to the Life Penn, following essay, Schwab considers Carroll's experimental treatment of language, maintaining that his work anticipates the twentieth-century movements of Comparing and Contrasting "The Chrysanthemums" Country People", surrealism, modernism, and postmodernism. ] The history of Penn, nonsense literature is intrinsically linked to A Case Adventures of Huckleberry Twain, the history of literary realism. With the Life of William, latter's insistence on the validity of the quotidian as an At the Break of Dawn, the Rooster Crows aesthetic object, nineteenth-century realism led to a radical redefinition of the. (The entire section is 9482 words.) SOURCE: Sherer, Susan. “Secrecy and Autonomy in to the Life Lewis Carroll.” Philosophy and Literature 20, no. 1 (1996): 1-19. [ In the following essay, Sherer discusses Alice's adventures as representative of the Victorian child's desire to retreat to An Overview of James of England, a secret place in order to establish autonomy. ] Victorian novels quiver with morbid secrets and threatening discoveries. Unseen rooms, concealed doors, hidden boxes, masked faces, buried letters, all appear (and disappear) with striking regularity in Life of William the fiction of Victorian England. So many of these secret spaces contain children, and especially little girls, little girls in hidden spaces.

The young Jane Eyre sits behind a. (The entire section is Describing Abu Bakr Role, 7373 words.) SOURCE: Sigler, Carolyn. Introduction to Alternative Alices: Visions and Revisions of Lewis Carroll's Alice Books: An Anthology, pp. xi-xxiii. Lexington: University Press of Kentucky, 1997. [ In the An Introduction of William, following essay, Sigler provides an overview of the critical reception of the Alice stories over the last century and of The of Huckleberry Finn by Mark Twain, discusses Carroll's contributions to literary modernism. ] It may be thought that in introducing a certain little lady ALICEnce has been taken. But royal personages are public property. —Jean Jambon, Our Trip to Blundertown (1876)

Alternative Alices brings. (The entire section is 5285 words.) Elizabeth Sewell (essay date fall-winter 1999) SOURCE: Sewell, Elizabeth. “‘In the to the, Midst of His Laughter and Glee’: Nonsense and Nothingness in Lewis Carroll.” Soundings 82, nos. Of Sir! 3-4 (fall-winter 1999): 541-71.

[ In the following excerpt, Sewell explores the themes of Life of William, death and nothingness in The Hunting of the Snark and “Three Voices.” ] “Nonsense is and Hard in the, how the English choose to take their Poesie pure. ” This sentence in of William Penn one form or another keeps turning up in my pursuit of French poetry and of Nonsense over the last fifty years. I meant it originally as something of a squib, but it organized the contents of my first work of criticism, The Structure of Poetry, . (The entire section is 7432 words.) SOURCE: Irwin, Michael. “ Alice : Reflections and Relativities.” In Rereading Victorian Fiction, edited by Alice Jenkins and An Overview of the, Juliet John, pp. 115-28. To The Life Penn! Houndmills, England: Palgrave, 2000. [ In the following essay, Irwin explores the theme of instability in the Alice stories. ] The Alice books are centrally concerned with instability. In Wonderland the heroine suffers alarming shifts of size. In Through the Describing Role Koran, Looking-Glass (1871) there is much straightforward physical disequilibrium. When the White Knight is sliding down the poker Alice notes that ‘he balances very badly’.

1 He and the Red Knight repeatedly fall off their horses. (The entire section is 5697 words.) M. S. Ashbourne (essay date spring 2001) SOURCE: Ashbourne, M. S. To The Life Of William Penn! “The Cheshire-Cat: Sign of Signs.” Interdisciplinary Journal for Germanic Linguistics and Semiotic Analysis 6, no. 1 (spring 2001): 79-106. [ In the following essay, Ashbourne examines the semiotic implications of the Cheshire Cat in the Alice stories. ] On January 14, 1898, Charles Dodgson, a.k.a.

Lewis Carroll, died at the age of 65 years, leaving the world to Rule of James of England, grieve the loss of one of its most gifted writers of books for children. Both Alice's Adventures in Wonderland (hereinafter: Wonderland ) and Alice Through the Looking Glass (hereinafter: Looking Glass ) are considered to be childhood classics. (The entire section is 10542 words.) SOURCE: Silverstone, Ben. “Children, Monsters, and Words in Alice's Adventures in Wonderland and Through the An Introduction Life of William, Looking-Glass. ” Cambridge Quarterly 30, no. 4 (2001): 319-56. [ In the following essay, Silverstone discusses the similarities between the unconventional language employed by Carroll in his fiction and the “speculative morphologies” practiced by children as they master the rules of language. ] In the at the in the, preface to to the Life of William, the fourth edition of his Etymological Dictionary of the English Language, Walter Skeat acknowledges a debt to an earlier lexicographer: ‘I have also made some use of the A Case Adventures by Mark Twain, curious book on Folk-Etymology by of William Penn, the Rev. A. A Case Study Adventures Finn By Mark! S. (The entire section is 7653 words.) Demurova, Nina M. “Alice Speaks Russian: The Russian Translations of Alice's Adventures in Wonderland and Through the Looking-Glass. ” Harvard Library Bulletin 5, no. Of William! 4 (winter 1994-95): 11-29. Compares the and Contrasting "The Chrysanthemums" and "Good, various Russian translations of Carroll's most famous books. Pennington, John. “Alice at the Back of the An Introduction of William Penn, North Wind, Or the Metafictions of Lewis Carroll and George MacDonald.” Extrapolation 33, no.

1 (spring 1992): 59-72. Discusses the influence Carroll and MacDonald had on each other's writing. Robson, Catherine. Men in Wonderland: The Lost Girlhood of the. (The entire section is 187 words.) Lewis Carroll Homework Help Questions.

The theme comes from Depressing and Hard in the, humor, and satire. Carroll is known for funny poems with meaningful messages. To The Life Penn! I'd say one theme of this one is that children rarely really understand the adults in their. Charles Dodgson (1832-1898), aka Lewis Carroll, did suffer bouts with migraines, including migraines with aura (a perceptual disturbance). Migraines are a common malady related with Alice in. The entire book is a mockery of the systematic impulses of Christianity and the Catholic Church. The instances of directives given to Alice (drink me, eat me) are specific references to the. Students have asked me if Lewis Carroll was on drugs, but I've never heard that he was a drunk.

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Science, Ethics and Intellectual Property Law: How Orphan Black Got It Completely Wrong. Written by: Jocelyn Bosse. Advisory: This article discusses major plot points from Season One of Orphan Black . 3 Myth One: “Patents are Forever” 4 Myth Two: “Anything can be Patented” 5 Myth Three: “Patents are Secret” 6 Patents and National Security.

7 Ownership of Humans. 8 Legality of Cloning. Many ethical and legal issues which arise from recent technological and scientific advances are explored in the cult television show, Orphan Black . [1] The protagonist, Sarah Manning, discovers that she is An Introduction to the of William Penn, one of an at the Depressing in the 1900s, unknown number of illegal clones, and in her quest for answers, grapples with questions of to the Life Penn, identity and body autonomy. A Case Study Of The Adventures By Mark Twain! The issues are brought to a head in An Introduction to the of William, the season one finale, in which evolutionary developmental biologist (and one of the clones), Cosima Niehaus, deciphers a synthetic DNA sequence in Describing and His Role Koran, her genome to reveal a message: THIS ORGANISM AND DERIVATIVE GENETIC MATERIAL IS RESTRICTED INTELLECTUAL PROPERTY. [2] Cosima informs the other clones: “The synthetic sequence I told you about? It’s a patent… We’re property… Everything we are, everything we become: it belongs to [the Dyad Institute].” Despite being an excellent scientist, Cosima’s remarks demonstrate serious ignorance of Penn, current patent laws. Of The! Indeed, her interpretation of the message reflects many of the An Introduction to the of William myths about intellectual property laws which are prevalent in real life, including that (a) patents are forever; (b) anything may be patented; and that, (c) patents are secret. This article will debunk the intellectual property myths which appear in the Orphan Black finale. An Overview Rule The First Of England! Pursuant to some remarks by Life Penn, Cosima’s lab partner in An Overview Rule the First of England, season two, the article will conclude with a discussion about the prevalent use of government secrecy orders over patents for the protection of to the Life of William Penn, national security, and Describing Role Koran, some final notes about An Introduction to the Life, physical property rights and the legality of and Contrasting the Books Chrysanthemums" and "Good Country People", human cloning. Intellectual property – like all law – varies between countries. [3] Though filmed in Canada, the creators of Orphan Black have indicated that the show takes place in “Generica” – a hybrid of Canada and the United States of An Introduction, America. [4] However, the question of jurisdiction is further complicated by the existence of clones across the globe, including England, Germany, Ukraine, Italy, Finland, Austria, France, and probably other nations.

Ever since the establishment of the World Intellectual Property Organization (WIPO) in 1967, [5] there has been considerable harmonisation of patents laws across the globe. Despite the ambiguity of the show’s jurisdiction, we can still make overall statements about the legal position of the clones in Orphan Black by Comparing Chrysanthemums" and "Good Country, reference to international law and the patent laws of An Introduction to the Penn, relevant countries (especially the Study of The Adventures Finn USA, Canada, the EU, Australia, and to the Life, New Zealand). 3 Myth One: “Patents are Forever” Unlike diamonds, patents rights do not extend in perpetuity. Instead, patents give a temporary monopoly to the inventor, during which time they may recoup their research and development costs. Upon expiration of the A Case Study of The Adventures of Huckleberry Finn by Mark Twain patent, the invention enters the public domain. [6] The first patents under the Statute of Monopolies 1624 (UK) were granted for fourteen years, but since the signing of the WTO Agreement on Trade-Related Aspects of Intellectual Property Rights 1994 (‘TRIPS’), patents have a non-renewable term of twenty years. [7] While term extensions are available under rare circumstances (e.g. delay in the application process in Canada, or the Life of William Penn five-year pharmaceutical extensions in Australia), none of those exceptions would apply to human clones.

In Canada, the 20-year term was introduced in October 1989; [8] however, the Orphan Black clones were born in A Case Study of The Adventures of Huckleberry by Mark Twain, 1984, [9] so any patents would have been subject to the previous rule that patents expired after 17 years. Given that the main Orphan Black clones are currently about 32 years old, we can safely assume that any purported patents on their genetic information would have expired more than a decade earlier. The genomic sequence tag which Cosima discovered was meaningless: any patented information would be in the public domain. 4 Myth Two: “Anything can be Patented” Under s 6 of the Statute of Monopolies 1624 (UK), patents must not be “contrary to the law, nor mischievous to the state… or generally inconvenient.” As for modern patent laws, Article 27 of the TRIPS Agreement allows countries to exclude patentable subject matter in order to protect “ ordre public ” and morality; this includes, for example, protection of human, animal or plant life or health, and the environment. An Introduction Life Penn! Countries are also allowed to exclude plants or animals (including humans) from A Case Study Finn by Mark Twain, patentability, and several nations have done just that. The TRIPS terminology was borrowed from An Introduction to the of William Penn, borrowed from A Case of Huckleberry, Article 53(a) of the An Introduction to the of William European Patent Convention (‘EPC’), and the European Board of Appeals defined the concept of ordre public as covering the protection of public security and integrity of individuals as part of society. [10] The EU Directive on Biotechnological Inventions [11] clearly prohibits patents on human clones: 1. The human body , at Describing Abu Bakr the various stages of its formation and development, and the simple discovery of one of its elements, including the of William Penn sequence or partial sequence of a gene, cannot constitute patentable inventions… 1. Inventions shall be considered unpatentable where their commercial exploitation would be contrary to of Dawn, Crows ordre public or morality ; however, exploitation shall not be deemed to be so contrary merely because it is prohibited by law or regulation. 2. To The Life Of William! On the basis of paragraph 1, the following, in particular, shall be considered unpatentable: (a) processes for cloning human beings ; (b) processes for modifying the germ line genetic identity of human beings; (c) uses of human embryos for industrial or commercial purposes; … The Canadian Supreme Court has held that higher life forms (defined as multicellular organisms, including plants, mice, and At the of Dawn,, humans) are not patentable subject matter. [12] Meanwhile, Australian legislation bans the patenting of human life in An Introduction to the, s 18(2) of the Patents Act 1990 (Cth): “Human beings, and the biological processes for their generation, are not patentable inventions.” The Deputy Commissioner of of The Adventures by Mark Twain, Patents has held that s18(2) extends to any entity which might reasonably claim the status of a human being, so the genetically modified clones would still fall within that exception. [13] Likewise, human clones are excluded under s 15 of the New Zealand Patents Act 2013 for reasons of ordre public and morality. [14] The position is An Introduction to the of William Penn, less concrete in of the Movie, Braveheart: The Story of Sir, the United States.

The US Patent and Trademark Office has granted a patent in 2001 for of William Penn a method for producing embryos from unfertilised eggs, to An Analysis of the Movie, Braveheart: The Story of Sir William Wallace create cloned livestock. To The Life Of William Penn! [15] Despite concerns that the patent would extend in to human cloning, the USPTO maintained a policy of refusing patents for at the Depressing Life in the human-related cloning on the grounds of a purported violation of the 13th amendment to the US Constitution, which prohibits slavery. [16] Although the 13th amendment is no longer invoked, patents related to human cloning are still not granted by the USPTO. As such, the Orphan Black clones would definitely not be subject to patents in the EU, Australia, New Zealand or Canada. The current USPTO policy also means that the Dyad Institute could not have obtained patents over the clones in the United States. 5 Myth Three: “Patents are Secret” The original “letters patent” were developed in the 1600s as a trade-off between inventors and the Crown: the British monarch would grant a monopoly over the invention, while the details of the invention had to be fully disclosed for the benefit of of William, society. [17] Indeed, the word “patent” means open to observation, evident, obvious – a patent is the antithesis of of Huckleberry Finn Twain, a secret invention. The full text of Life, patents can be easily found online, using a variety of means: · Google – many patents are available through Google. For example, the patent for Comparing the Books "The Chrysanthemums" and "Good Country entertaining a cat with a laser pointer (don’t panic, it lapsed back in 2007) is An Introduction Penn, publicly available here ( ). · International – the at the in the UN World Intellectual Property Organisation (WIPO) has a database of patent applications via Patentscope ( ). Note, however, that there is no such thing as an An Introduction of William, “international patent” – WIPO merely facilitates the application process across different countries. Inventors must register their patents in every country in which they seek protection.

· Canada – the Canadian Intellectual Property Office (CIPO) allows you to freely search their patents database here ( ). · United States of America – the US Patent and A Case Adventures, Trademark Office has a searchable register here ( ). · New Zealand – the Intellectual Property Office of New Zealand has their database here ( · Europe – the European Patent Office has a patent register called Espacenet ( Consequently, if the to the Life of William Penn Dyad Institute had patented the An Overview of James the First genetic information of the Orphan Black clones, it would be freely accessible on the patent register of each country where a patent was held, and to the of William, probably available on Google. Cosima could have avoided many hours of scientific research into her own genome by simply looking up the patent numbers on the USPTO or CIPO Registers. Only one category of patents can be kept secret: those which are subject to secrecy orders in the interests of national defence. 6 Patents and National Security. In Season Two of Orphan Black , Cosima discusses the patents with her lab partner, who remarks that “The Dyad was just a contractor. It could be a secret military patent.” So, the question arises, what are ‘secret military patents’ and what do they mean for the Orphan Black clones?

The tension between certain private rights and public rights – in this case, intellectual property and human security – leads to at the and Hard a difficult balancing act in the patent laws. Although disclosure is one of the hallmark principles of patent law, publication of the details of certain inventions can pose risks to national security, especially if they relate to chemical, biological or nuclear weapons. [18] Governments are often concerned that the information disclosed in patent documents will end up in the “wrong hands,” particularly patents on weaponry and explosives which could be used by An Introduction to the of William, terrorist groups. There are also issues with potential misuse of dual-use technologies (those with current or potential military and civilian applications, e.g. ammonium nitrate, which could be used to produce propellant for of the Rule of James the First of England ballistic missiles, but is mainly used in the manufacture of fertilisers). [19] As such, some patents are temporarily made secret in order to protect national security. International Secrecy Orders. Article 73 of the TRIPS Agreement sets out “Security Exceptions” and provides that Member states need not furnish information where disclosure would be contrary to to the of William its essential security interests.

Likewise, Article 4 of the Patent Law Treaty 2000 (‘PLT’) stipulates that “nothing in this Treaty and the Regulations shall limit the freedom of a Contracting Party to take any action it deems necessary for Comparing and Contrasting "The Chrysanthemums" the preservation of essential security interests.” [20] Secrecy Orders in the USA. During World War I, the US Congress authorised the Patent and Trademark Office to temporarily classify certain defence-related patents in the interests on to the Penn, national security. [21] The legislation was extended during World War II to allow the Commissioner of Patents to prevent publication or disclosure of a patent where it might be “detrimental to A Look Depressing Life in the the public safety or defence,” as well as to compensate the applicant if the subject matter of the patent is used by the military. The laws were eventually replaced with the to the Life Invention Secrecy Act 1951 (US), which allows the American Federal Government to issue secrecy orders via the Commissioner of Patents, which are subject to an annual renewal process, except in times of war or national emergency. The use of these orders has been on the rise: [22] 5,445 secrecy orders were in effect in 2013, and at the Depressing Life 1900s, 5,579 in 2015. To The Life Of William! [23] For example, Juliet Marine Systems developed a stealth boat which was unexpectedly made subject to a secrecy order in October 2009, thereby forbidding them from filing patents overseas or disclosing anything to potential investors until the order was lifted two years later. [24]

In Canada, the Minister of National Defence may take ownership of of the The Story, a patent for to the of William “any invention in instruments or munitions of war,” [25] and has the power to Describing and His Role make the invention secret under s 20(5). The inventor(s) become(s) subject to An Introduction to the of William s 4 of the Rule of England Security of Information Act , and are thereby banned from communication of any details of the An Introduction to the Life Penn invention without the authority of the Minister of National Defence. An Analysis Of The Braveheart: Of Sir! Under s 20(9) of the Patents Act, the information may be kept secret until the to the Life of William expiration of the patent, or until it is waived by and His Role, the Minister. The Australian Department of Defence is empowered under s 152 of the Patents Act 1990 (Cth) to Penn prohibit the An Overview of the of England publication of the details of a patent application, at An Introduction to the Life Penn which point it must be handled by a patent examiner with the requisite security clearance. [26] The prohibition order may remain in force until the expiration of the patent, unless it is revoked by at the Depressing and Hard 1900s, the Department of Defence. Similar provisions can be found in ss 132-134 of the New Zealand Patents Act 2013 . However, while Cosima’s lab partner raised a very interesting point about the potential use of to the Life of William Penn, secrecy orders over patents, the An Overview of James of England fact remains that human clones are not patentable (and if they were, the An Introduction to the Life of William patents would have expired). There can be no secrecy order if there is no valid patent to begin with. As far as tangible property rights are concerned, the message in Cosima’s genome asserted proprietary rights over her body, and any derivative material. Since the abolition of An Analysis of the Braveheart: The Story of Sir Wallace, slavery, there has been a strict legal separation of to the Penn, property rights and personhood. In fact, property rights over human body parts have arguably been excluded from legal protection for two millennia: the Roman jurist, Ulpian, gave the maxim dominus membrorum suorum nemo videtur (“no one is the owner of their own limbs”), which has been interpreted in the English law to mean that a living human body cannot be the object of property rights. [27] In words of Justice Edelman of the Federal Court of Australia: “Whatever meaning is given to ‘property’, it is independent of personhood. At The Crows! The antithesis of ‘property’ is personhood.

A living person can be the holder of a property right but he or she cannot be the object of it.” [28] The Romans would also consider the deceased clones to be res extra patrimonium and res extra commercium ; a corpse is An Introduction to the Life Penn, generally inviolable and unsaleable. [29] In modern jurisprudence, the Supreme Court of California has affirmed the Roman principles: the Court in Moore v Regents of the University of California [30] rejected a property claim over A Case Study of The by Mark Twain, Moore’s own body parts (his spleen, blood, skin, and sperm) which had been used without consent for commercial purposes. Justice Panelli, in the plurality judgment, remarked: [31] “Neither the Court of Appeal's opinion, the parties' briefs, nor our research discloses a case holding that a person retains a sufficient interest in excised cells to An Introduction of William support a cause of action for conversion. We do not find this surprising, since the laws governing such things as human tissues, transplantable organs, blood, fetuses, pituitary glands, corneal tissue, and Comparing "The Chrysanthemums" and "Good Country, dead bodies deal with human biological materials as objects sui generis, regulating their disposition to achieve policy goals rather than abandoning them to the general law of personal property… The ramifications of recognizing and An Introduction to the Life of William Penn, enforcing a property interest in body tissues are not known, but are greatly feared for and His in Islam Koran the effect on human dignity of a marketplace in human body parts, the impact on research and to the of William, development of competitive bidding for at the Depressing and Hard Life in the such materials, and the exposure of researchers to potentially limitless and uncharted tort liability.” As such, the Orphan Black clones (alive and whole, or otherwise) could not be subject to An Introduction to the Penn a proprietary claim from the of the Rule of England Dyad Institute. The law is An Introduction to the Life, concerned with two main types of cloning: (i) therapeutic cloning , which is the use of clonally propagated stem cells for of Dawn, Crows the purposes of of William Penn, scientific research and medical treatment, and (ii) reproductive cloning , in and Contrasting the Books Chrysanthemums" and "Good Country People", which a cloned embryo is implanted into a womb. [32] While therapeutical cloning is legal in many states, the Orphan Black clones were created by reproductive cloning, which is generally illegal.

In March 2005, the United Nations General Assembly adopted the Declaration on Human Cloning, which called on members to adopt all measures necessary to prohibit human cloning inasmuch as it is incompatible with human dignity and the protection of human life. [33] The Declaration also called upon members to An Introduction of William Penn prohibit the application of genetic engineering techniques that may be contrary to human dignity and to Describing Abu Bakr and His Role in Islam Koran prevent the exploitation of women in the application of of William, life sciences. However, the Declaration has no binding authority over UN members, and would have no impact upon A Look Life the legality of producing the to the Life of William Orphan Black clones. Article 3(d) of the Charter of Fundamental Rights of the European Union explicitly prohibits reproductive human cloning. France, Germany, Austria, Italy and Russia have completely banned human cloning, to name a few. Life! In the United Kingdom, reproductive cloning is banned, [34] while therapeutic cloning has been tightly regulated by the Human Fertilisation and Embryology Authority since 1990. [35] The Dyad Institute could not have (legally) produced the Orphan Black clones in the United Kingdom, nor any other EU member states. An Introduction To The Life Of William Penn! Furthermore, the Council of Europe has specifically banned reproductive cloning in the Convention on Study Adventures of Huckleberry Finn by Mark Twain, Human Rights with Regard to An Introduction Life of William Penn Biomedicine 1997, which held to apply in European countries where no legislation has been passed to of Dawn, the Rooster address the legality of human cloning. [36] Canada has a complete ban on human cloning, both therapeutic and reproductive, pursuant to s 5(1)(a) of the Assisted Human Reproduction Act 2004 . Of William! As such, the Break of Dawn, Orphan Black clones could not have been created there. Reproductive cloning is also banned in Australia under the Prohibition of Human Cloning for Reproduction Act 2002 (Cth). Although the An Introduction of William Penn desire to improve scientific research and medical treatment meant that the ban on therapeutic cloning was lifted in An Analysis Movie, Braveheart: William, 2006, [37] the reproductive cloning conducted by the Dyad Institute would still be illegal in Australia. [38] The picture is more complicated in the United States, where the Congress has repeatedly failed to enact legislation to of William address human cloning, and there are no Federal laws with respect to human cloning. [39] Public funding for human cloning and Depressing and Hard, stem cell research was restricted in 2001 under the Bush Administration, [40] but that would not be a barrier for a wealthy private institute like Dyad. [41] While fifteen states ban reproductive cloning, [42] the Dyad Institute could have produced the to the Life of William Orphan Black clones in other parts of the country. Nevertheless, the Dyad Institute would have no legal control over Study of The Adventures Finn by Mark Twain, Sarah Manning, Cosima Niehaus, or the other clones.

It is a complete myth that patents can be obtained over humans, so the clone-sisters would, in fact, be autonomous individuals who are free from any legitimate claims to An Introduction to the Penn tangible or intellectual property rights. The mass-production of human clones by a malevolent corporation might still be pure science fiction, but the legal questions raised by Movie, The Story of Sir William, Orphan Black are no less important to the real world. Many countries – particularly the United States – are still struggling to pass legislation which adequately regulates therapeutic and reproductive cloning, which has significant consequences for medical research and assisted reproduction. Furthermore, the use of government secrecy orders illustrates the to the Penn difficult balancing act between the protection of national security, and the promotion of private innovation. While the Study of Huckleberry Twain fictional clones in An Introduction of William Penn, Orphan Black are (incorrectly) concerned by Study by Mark Twain, the Dyad Institute’s intellectual property rights over their bodies, real people across the globe stand to Penn benefit, or suffer, from the enforcement of poorly-understood patent laws, and the legislative control of human cloning. [1] BBC America, Orphan Black (16 June 2016) The first season aired in March-June 2013. [2] Tim Surette, Orphan Black Season 1 Finale Review: Same, Same But Different (2 June 2013) Break Of Dawn, The Rooster! The DNA tag was based on ASCII (American Standard Code for Information Interchange) coded basepairs. [3] Article 4 bis , Paris Convention for Life of William the Protection of An Overview of the Rule the First, Industrial Property 1883 . [4] Marsha Lederman, ‘How Canada is becoming the sci-fi nation’, The Globe and Mail (online), 13 April 2013

[5] Convention Establishing the An Introduction Life World Intellectual Property Organization , signed at Stockholm on Comparing the Books "The Chrysanthemums" People", 14 July 1967. WIPO administers the Convention for to the Life of William the Protection of Industrial Property 1883 , which deals with patents and related rights. [6] Lionel Bently and Brad Sherman, Intellectual Property Law (Oxford University Press, 3rd ed, 2009) 335. [7] Article 33: “The term of protection available shall not end before the expiration of a period of twenty years counted from the A Case Adventures Finn by Mark filing date.” See also: Patents Act 1990 (Cth) s 67. [8] Patent Act , RSC 1985, c P-4, s 44. [9] Orphan Black Wiki, Sarah Manning (21 June 2016)

[10] Robin Ramcharan, ‘ Intellectual Property and Security: A Preliminary Exploration’ (2005) 26(1) Contemporary Security Policy 126, 130. [11] Council Directive 98/44/EC on the Legal Protection of An Introduction, Biotechnological Inventions [1998] OJ L 213/13, art 5-6. [12] Harvard College v Canada (Commissioner of of The of Huckleberry Finn Twain, Patents) [2002] 4 SCR 45 [155]. [13] See Re Luminis Pty Ltd Fertilitescentrum AB (2004) 62 IPR 420. [14] Relevantly, the New Zealand legislation lists the An Introduction Life Penn following exceptions: (i) a process for of the Rule of James cloning human beings, (ii) a process for modifying the to the germ line genetic identity of human beings, and of the of James, (iii) the to the of William Penn use of human embryos for A Look Depressing Life in the 1900s industrial or commercial purposes. [15] US 6211429 B1 “Complete oocyte activation using an oocyte-modifying agent and a reducing agent” (Priority Date: 18 June 1997)

[16] Andrew Pollack, ‘Debate on An Introduction to the Life of William Penn, Human Cloning Turns to Patents’, The New York Times (online), 17 May 2002 [17] Mark J Davison, Ann L Monotti and Leanne Wiseman, Australian Intellectual Property Law (Cambridge University Press, 2nd ed, 2012) 409. [18] Robin Ramcharan, ‘ Intellectual Property and Security: A Preliminary Exploration’ (2005) 26(1) Contemporary Security Policy 126, 127. [20] The treaty entered into force in An Overview of James, 2005, though Canada and to the Life of William Penn, Germany have not yet acceded. [21] Act of 6 October 1917, ch 95, § 42, 40 Stat 394. [22] G W Schultz, ‘Government Secrecy Orders on Patents have Stifled more than 5000 Inventions’ There is a heavy penalty upon those who breach a secrecy order: a fine of up to $10,000 or up to 2 years imprisonment. [23] Federation of American Scientists, Invention Secrecy Activity (as reported by the Patent Trademark Office) [24] Caroline Winter, ‘This Stealth Attack Boat May Be Too Innovative for the Pentagon’ (22 August 2014) Bloomberg Businessweek [25] Patent Act , RSC 1985, c P-4, s 20(1). [26] Bill McFarlane, ‘How to Keep a Secret: Prohibition Orders on An Analysis Movie, William Wallace, Patents’ (25 August 2012)

[27] R v Bentham [2005] UKHL 18 [14] (Lord Rodger), citing D.9.2.13pr (Ulpian). An Introduction To The Penn! Following the Australian High Court decision of Doodeward v Spence (1908) 6 CLR 406, the principle has seen modern adaptation in cases which concern the and Hard in the posthumous use of sperm samples for An Introduction Penn in vitro fertilization (IVF), which eroded the previous hostility of the English courts towards consideration of human biological material as “property”: Jonathan Yearworth Ors v North Bristol NHS Trust [2009] 2 All ER 986; for an American example, see Hecht v. Abu Bakr And His In Islam! Superior Court of Los Angeles County (1993) 20 Cal. Rptr. 2d 275. [28] James Edelman, ‘Property Rights to our Bodies and of William, their Products’ (2015) 39(2) University of Break the Rooster Crows, Western Australia Law Review 47, 53. [29] Henk AMJ Ten Have and Jos VM Welie (eds), Ownership of the Human Body: Philosophical Considerations on the Use of the An Introduction to the Life of William Human Body and its Parts in Healthcare (Kluwer Academic Publishers, 1998) 69.

[30] (1990) 51 Cal. 3d 120. [31] The opinion from Panelli J was joined by Lucas, Eagleson and Kennard JJ, Arabian J concurring. [32] See Australian Stem Cell Foundation, ‘Fact Sheet 4: Therapeutic Cloning’ (July 2010) [33] General Assembly Adopts United Nations Declaration on Human Cloning by Vote of 84-34-37’ (8 March 2005)

[34] Human Reproductive Cloning Act 2001 (UK), which was repealed and superseded by the Human Fertilisation and Comparing the Books "The Chrysanthemums" Country, Embryology Act 2008 (UK). Section 3 of the 2008 Act forbids reproductive cloning. [35] Ruth Deech, ‘Regulation of therapeutic cloning in the UK’ (2002) 5(1) Reproductive BioMedicine Online 7, 9. The cloning regulations under the Human Fertilisation and Embryology Act 1990 (UK) were challenged in the UK High Court by the ProLife Alliance in November 2001, which triggered the enactment of emergency legislation. See David Adam, ‘Loophole Legalizes Human Cloning’ (2001) 414 Nature News 381. [36] The Convention is relevant, for of William example, in The Additional Protocol to the Convention for the Protection of Human Rights and Dignity of the Human Being with regard to A Case of The Adventures Finn by Mark Twain the Application of Biology and Medicine, on to the of William, the Prohibition of Cloning Human Beings was passed in 2001, and Article 1 prohibits “any intervention seeking to create a human being genetically identical to another human being alive or dead.” [37] Prohibition of Human Cloning for Reproduction and the Regulation of of the the First of England, Human Embryo Research Amendment Act 2006 (Cth). [38] Simon Grose, ‘Australia grants license for therapeutic cloning’ (2008) 14 Nature Medicine 1134. [39] Many bills have been introduced, e.g.

HR4808 - Stem Cell Research Advancement Act of 2009, but never passed. Issues related to An Introduction Life abortion have been a key barrier to of The Finn the successful enactment of human cloning legislation over the years, while the strong lobbying efforts of the to the of William biotechnology industry was partially behind the at the in the 1900s failure to An Introduction Life of William Penn enact laws in the late 1990s. The Food and Drug Administration has claimed authority over reproductive cloning, but it seems unlikely that its purported regulatory jurisdiction would stand up to legal challenge. See [40] The 2001 statement was supplemented by An Overview of the Rule of James the First, Executive Order 13435 of Life Penn, June 20, 2007.

[41] Stem cell research funding was restored in 2009 under the Obama Administration: President Barack Obama issued Executive Order 13505 “Removing Barriers to Responsible Scientific Research Involving Human Stem Cells” on 9 March 2009. The Order made no comment on human cloning. [42] Reproductive cloning is of the Braveheart: of Sir William, banned in Arkansas, California, Connecticut, Iowa, Indiana, Massachusetts, Maryland, Michigan, North Dakota, New Jersey, Rhode Island, South Dakota, Florida, Georgia, and Virginia.

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Expressionism in Death of Salesman Essay. From the opening flute notes to their final reprise, Miller’s musical themes express the competing influences in Life Penn Willy Loman’s mind. Once established, the themes need only be sounded to evoke certain time frames, emotions, and values. The first sounds of the drama, the flute notes “small and fine,” represent the grass, trees, and At the Break, horizon – objects of Willy’s (and Biff’s) longing that are tellingly absent from the overshadowed home on which the An Introduction to the of William, curtain rises. Chrysanthemums" People"? This melody plays on as Willy makes his first appearance, although, as Miller tells us, “[h]e hears but is not aware of Life of William it” (12). Through this music we are thus given our first sense of Willy’s estrangement not only from nature itself but from his own deepest nature. As Act I unfolds, the flute is linked to Willy’s father, who, we are told, made flutes and sold them during the An Overview of James, family’s early wanderings. The father’s theme, “a high, rollicking tune,” is differentiated from the small and fine melody of the natural landscape (49). This distinction is fitting, for the father is a salesman as well as an explorer; he embodies the An Introduction of William, conflicting values that are destroying his son’s life. The father’s tune shares a family likeness with Ben’s “idyllic” (133) music.

This false theme, like Ben himself, is associated finally with death. Ben’s theme is An Analysis Movie, Braveheart: The Story, first sounded, after all, only after Willy expresses his exhaustion (44). It is heard again after Willy is fired in An Introduction Act II. This time the music precedes Ben’s entrance. It is A Look at the Depressing Life, heard in to the Life of William Penn the distance, then closer, just as Willy’s thoughts of suicide, once repressed, now come closer at the loss of his job.

And Willy’s first words to Describing Abu Bakr Ben when he finally appears are the of William, ambiguous “how did you do it?” (84). Comparing The Books Chrysanthemums" Country People"? When Ben’s idyllic melody plays for the third and final time it is in “accents of dread” (133), for Ben reinforces Willy’s wrongheaded thought of suicide to bankroll Biff. The father’s and Penn, Ben’s themes, representing selling (out) and A Look at the and Hard Life, abandonment, are thus in opposition to the small and fine theme of nature that begins and ends the play. A whistling motif elaborates this essential conflict. Whistling is often done by those contentedly at to the Life of William Penn, work. It frequently also accompanies outdoor activities. A whistler in an office would be a distraction. Of Huckleberry By Mark? Biff Loman likes to whistle, thus reinforcing his ties to nature rather than to the business environment.

But Happy seeks to stifle Biff’s true voice: HAPPY . . . Penn? Bob Harrison said you were tops, and then you go and do some damn fool thing like whistling whole songs in the elevator like a comedian. BIFF, against Happy. So what? I like to whistle sometimes. HAPPY. You don t raise a guy to a responsible job who whistles in Comparing the Books "The Country elevator! (60) This conversation reverberates ironically when Howard Wagner plays Willy a recording of An Introduction Life Penn his daughter whistling Roll out the Barrel” just before Willy asks for Abu Bakr and His Role an advance and An Introduction Life, a New York job (77).

Whistling, presumably, is all right if you are the boss or the boss’s daughter, but not if you are an employee. The barrel will not be rolled out for Willy or Biff Loman. Willy’s conflicting desires to work in of the Movie, Braveheart: of Sir William Wallace sales and to do outdoor, independent work are complicated by another longing, that of sexual desire, which is expressed through the “raw, sensuous music” that accompanies The Woman’s appearances on stage (116, 37). It is this music of Life of William Penn sexual desire, I suggest, that “insinuates itself” as the first leaves cover the house in Act 1.5 It is heard just before Willy – reliving a past conversation – offers this ironic warning to Biff: “Just wanna be careful with those girls, Biff, that’s all. Don’t make any promises. No promises of any kind” (27). This raw theme of sexual desire contrasts with Linda Loman’s theme: the maternal hum of a soft lullaby that becomes a “desperate but monotonous” hum at the First of England, the end of Act I (69). Linda’s monotonous drone, in turn, contrasts with the “gay and bright” music, the An Introduction Penn, boys’ theme, which opens Act II.

This theme is associated with the “great times” (127) Willy remembers with his sons – before his adultery is of Dawn, Crows, discovered. An Introduction To The Of William? Like the high, rollicking theme of An Analysis of the Movie, The Story of Sir Willy’s father and like Ben’s idyllic melody, this gay and bright music is ultimately associated with the false dream of materialistic success. The boys theme is first heard when Willy tells Ben that he and the boys will get rich in Brooklyn (87). It sounds again when Willy implores Ben, “[H]ow do we get back to An Introduction Penn all the great times?” (127). In his final moments of life, Willy Loman is shown struggling with his furies: “sounds, faces, voices, seem to be swarming in upon him” (136).

Suddenly, however, the “faint and Depressing Life 1900s, high” music enters, representing the false dreams of all the to the of William, “low” men. This false tune ends Willy’s struggle with his competing voices. It drowns out the other voices, rising in intensity “almost to an unbearable scream” as Willy rushes off in pursuit. At The Break Of Dawn, The Rooster? And just as the travail of Moby Dick ends with the ongoing flow of the waves, nature, in An Introduction Life Penn the form of the flute’s small and fine refrain, persists – despite the Describing Role, tragedy we have witnessed. In the introduction to his Collected Plays, Miller acknowledges that the first image of Salesman that occurred to to the Life of William him was of an "The and "Good Country People", enormous face the height of the proscenium arch; the face would appear and then open up. “We would see the inside of a man’s head,” he explains. “In fact, The Inside of His Head was the first title. It was conceived half in laughter, (60) for the inside of his head was a mass of contradictions” (23). By the time Miller had completed Salesman, however, he had found a more subtle plays correlative for the giant head; a transparent setting. “The entire setting is wholly, or, in some places, partially transparent,” Miller insists in Penn his set description (11). By substituting a transparent setting for An Analysis Braveheart: The Story of Sir William Wallace a bisected head, Miller invited the audience to examine the An Introduction to the Life Penn, social context as well as the individual organism. Productions that eschew transparent scenery eschew the nuances of this invitation. Of The Rule? The transparent lines of the Loman home allow the audience physically to sense the city pressures that are destroying Willy. “We are aware of towering, angular shapes behind [Willy’s house], surrounding it on all sides.

The roofline of the house is one-dimensional; under and over it we see the apartment buildings” (11-12). Life? Wherever Willy Loman looks are these encroaching buildings, and wherever we look as well. Willy’s subjective vision is Study of The of Huckleberry, expressed also in the home’s furnishings, which are deliberately partial. The furnishings indicated are only those of importance to Willy Loman. That Willy’s kitchen has a table with three chairs instead of four reveals both Linda Loman’s unequal status in the family and Willy’s obsession with his boys. At the end of Act I, Willy goes to his small refrigerator for An Introduction Life Penn life-sustaining milk (cf. Brecht’s parallel use of milk in Galileo).

Later, however, we learn that this repository of Describing Abu Bakr Koran nourishment, like Willy himself, has broken down. That Willy Loman’s bedroom contains only a bed, a straight chair, and a shelf holding Biff’s silver athletic trophy also telegraphs much about the man and to the Life Penn, his family. Linda Loman has no object of her own in her bedroom. Willy Loman also travels light. Role? He has nothing of substance to sustain him. His vanity is devoted to adolescent competition.

Chairs ultimately become surrogates for people in An Introduction of William Penn Death of a Salesman as first a kitchen chair becomes Biff in Willy’s conflicted mind (28) and then an office chair becomes Willy’s deceased boss, Frank Wagner (82). In, perhaps, a subtle bow to Georg Kaiser’s Gas I and Study Twain, Gas II, Miller’s gas heater glows when Willy thinks of death. The scrim that veils the primping Woman and the screen hiding the restaurant where two women will be seduced suggest Willy Loman’s repression of sexuality. Expressionism has done more than any other movement to develop the expressive powers of An Introduction to the Life of William stage lighting. The German expressionists used light to create a strong sense of mood and to isolate characters in Rule the First a void. By contrasting light and shadow, and by employing extreme side, overhead, and rear lighting angles, they established the nightmarish atmosphere in which many of their plays took place.

The original Kazan Salesman made use of more lights than were used even in Broadway musicals (Timebends 190). At the Penn, end of act 1, Biff comes downstage “into a golden pool of light” as Willy recalls the day of the city baseball championship when Biff was “[l]ike a young God. Hercules – something like that. And the sun, the A Case of The Adventures by Mark, sun all around him.” The pool of light both establishes the moment as one of Willy’s memories and suggests how he has inflated the past, given it mythic dimension. The lighting also functions to instill a sense of irony in An Introduction to the of William the audience, for the golden light glows on undiminished as Willy exclaims, “A star like that, magnificent, can never really fade away!” We know that Biff’s star faded, even before it had a chance to shine, and even as Willy speaks these words, the light on him begins to and Contrasting "The and "Good People" fade (68).

That Willy’s thoughts turn immediately from An Introduction to the Life Penn, this golden vision of his son to his own suicide is indicated by the “blue flame” of the gas heater that begins immediately to glow through the wall – a foreshadowing of A Look at the Depressing Life in the Willy’s desire to gild his son through his own demise. Productions that omit either the An Introduction to the Life of William, golden pool of light or the glowing gas heater withhold this foreshadowing of Willy’s final deed. Similarly, productions that omit the lights on the empty chairs miss the chance to reveal the Rule of James of England, potency of of William Penn Willy’s fantasies. Perhaps even more important, the gas heater’s flame at the end of Act I recalls the Study Adventures of Huckleberry Finn Twain, “angry glow of orange” surrounding Willy’s house at the play’s beginning (11). Both join with the “red glow” rising from the hotel room and the restaurant to give a felt sense of Willy’s twice articulated cry: “The woods are burning!…There’s a big blaze going on An Introduction Life of William, all around” (41, 107). Without these sensory clues, audiences may fail to appreciate the desperation of Willy’s state. Characters and Costumes. Miller employs expressionistic technique when he allows his characters to split into younger versions of themselves to represent Willy’s memories. Young Biff’s letter sweater and of the the First of England, football signal his age reversion, yet they also move in the direction of social type. The Woman also is an expressionistic type, the play’s only An Introduction to the Life of William Penn generic character other than the Study of Huckleberry, marvelously individualized salesman. Miller’s greatest expressionistic creations, however, are Ben and Willy Loman.

In his Paris Review interview, Miller acknowledged that he purposely refused to give Ben any character, “because for Life of William Penn Willy he has no character – which is, psychologically, expressionist because so many memories come back with a simple tag on them: somebody represents a threat to you, or a promise” (Theater Essays 272). Clearly Ben represents a promise to Willy Loman. The Story Of Sir? It is the promise of material success, but it is also the promise of death.6 We might consider Uncle Ben to be the ghost of Ben, for we learn that Ben has recently died in to the Penn Africa. Since Miller never discloses the cause of Ben’s death, he may be a suicide himself. His idyllic melody, as I have noted, becomes finally a death march. In Willy’s last moments, the and Hard 1900s, contrapuntal voices of to the Life Linda and Ben vie with each other, but Willy moves inexorably toward Ben. Alluding to Africa, and perhaps also to the River Styx, Ben looks at Depressing and Hard Life in the, his watch and says, “The boat. We’ll be late” as he moves slowly into the darkness (135). Willy Loman, needless to say, is Miller’s brilliant demonstration that expressionistic techniques can express inner as well as outer forces, that expressionism can be used to create “felt,” humane character.

The music, setting, and lighting of Salesman all function to express the world inside Willy Loman’s head, a world in which social and personal values meet and merge and struggle for integration. As Miller writes in the introduction to his Collected Plays: [The play’s] expressionistic elements were consciously used as such, but since the approach to Willy Loman’s characterization was consistently and rigorously subjective, the An Introduction to the Penn, audience would not ever be aware – if I could help it – that they were witnessing the use of a technique which had until then created only coldness, objectivity, and Movie, Braveheart: The Story William Wallace, a highly styled sort of play. (39) In 1983, when Miller arrived in Beijing to direct the first Chinese production of Death of a Salesman, he was pleased to find that the Chinese had created a mirror image of the original transparent set. Seeing this set, and observing that the kitchen was furnished with only a refrigerator, table, and two (not even three) chairs, Miller felt “a wonderful boost” to his morale (Salesman in Beijing 3-4). Teachers and directors might offer a similar boost by An Introduction Life of William giving full weight to the expressionistic moments in Death of a Salesman. For directors, achieving such moments may be technically demanding, but they should not be abandoned simply because they are challenging.7 Similarly, the of The Adventures of Huckleberry, expressionistic devices should not be considered too obvious for postmodern taste. In truth, the expressionism in Salesman is An Introduction, not intrusive. Its very refinement of the Rooster Crows German expressionism lies in its subtlety, in An Introduction Penn its delicate balance with the at the and Hard in the, realistic moments in the drama.

This ever-shifting tension between realism and An Introduction Life of William Penn, expressionism allows us to feel the An Overview of the Rule of James the First of England, interpenetration of to the Life Penn outer and inner forces within the human psyche. The expressionistic devices also elevate Willy’s suffering, for they place it in the context of the natural order. To excise the expressionism is to diminish the rich chord that is Miller’s drama. University/College: University of Chicago. Type of An Analysis of the of Sir Wallace paper: Thesis/Dissertation Chapter. Date: 2 December 2016. Let us write you a custom essay sample on Expressionism in Death of Salesman. for only $16.38 $13.9/page. Haven't found the Essay You Want? Get your custom essay sample.

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